Break Ke Baad movie Review Wallpapers Release dates Free Mp3 movie Download
Break Ke Baad (English: After the Break) is an upcoming romantic coming-of-age dramedy directed by Danish Aslam and starring Deepika Padukone and Imran Khan in lead roles. Shahana Goswami & Yudhishtr Urs play a brother-sister pair while Sharmila Tagore, Navin Nischol and Lillete Dubey have supporting roles. The film is produced by director Kunal Kohli under the banner of Kunal Kohli Productions.
The movie was shot in Delhi, Bombay & Mauritius between March & July 2010. It is currently in post-production & is scheduled for release on 24 November 2010.
The music for the movie has been composed by Vishal-Shekhar with lyrics by Prasoon Joshi. This is the first time that Vishal-Shekhar & Prasoon have worked together on a movie soundtrack. The music was released on 15 October, 2010.[1]
Abhay Gulati (Imran Khan) and Aaliya Khan (Deepika Padukone) have known each other since they were four years old. Their friendship turned into love at the tender age of 15, when Abhay realises Aaliya is the girl for him.
Aaliya's life is defined by her burning desire to become an actress and she is unmindful of what or who comes in her way. Abhay who is still unsure about what he wants to do finds himself competing with Aaliya's incessant plans and projects to fulfill her dreams. While their relationship blooms because of their personality differences, the baggage because of these differences also grows silently.
Things come to a head when Aaliya decides to go to Australia to study and Abhay has to deal with the prospect of a long distance relationship, secretly fearing that he will lose Aaliya forever. He takes a leap of faith and they decide to take this time off from each other to figure out what they want to do.
The choices Abhay and Aaliya make from here on tests their relationship.
Aaliya risks everything and everyone she loves only to realize that there is no joy in achieving one's dreams if one has no one to share it with. Abhay risks losing every shred of his ego, dignity and self-respect only to realize that there is no bigger high than seeing your dream come to life, brick by brick. They make mistakes, deal with disappointments, even lose each other - and become stronger individually.
Break Ke Baad is not just a coming of age film, but a film about couples growing up - together. In a fickle world where relationships break up on the smallest of differences, Abhay and Aaliya manage to save theirs despite geographical ones.
Break Ke Baad Movie Cast
Imran Khan as Abhay Gulati
Deepika Padukone as Aaliya Khan
Sharmila Tagore as Ayesha Khan
Shahana Goswami as Nadia
Yudhishtr Urs as Cyrus
Lilette Dubey as Pammi
Naveen Nischol as Jeet Gulati
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Showing posts with label New Movie Wallpapers. Show all posts
Showing posts with label New Movie Wallpapers. Show all posts
Sunday, November 21, 2010
Gujarish movie Review 2010 Download Free mp3 songs Wallpapers Gallery Videos
Gujarish movie Review 2010 Download Free mp3 songs Wallpapers Gallery Videos
Cast: Hirithik Roshan, Aishwarya Bachchan, Shehnaz Patel, Aditya Roy Kapoor
Within a Victorian structure, inside an artistically designed home, behind billowing curtains and surreal lighting schemes sits quadriplegic Ethan (Hirithik Roshan), trying desperately to shoo a fly off his nose. Unable to use his limbs and accepting his fate, he lets the fly sit-- a passing visitor in Ethan’s handicapped life.
Sanjay Bhansali returns to form with the creation of a fascinating world where fact meets fiction. While the dreamlike production design and costumes inspired from modern art are awe inspiring fiction, Bhansali’s research on euthanasia (or mercy killing) seems to be based on fact. Does fact blend seamlessly with fiction? Unfortunately not.
Right from the start Ethan seems to embrace the brighter side of life. He laughs in the face of adversity, always has a mischievous one-liner on his lips, and even hosts a radio show to counsel depressed listeners and share the joys of being alive. If the point of a fulfilled life wasn’t made clearly enough, the background songs remind us literally, that ‘life’s good!’
Yet, in the very next scene, Ethan calls his lawyer to tell her he’s had enough and wants to die. She must fight the legal system and their stand against mercy killing. Just when and why did the man who fought death and went on to write a book about living successfully as a quadriplegic decide to end his life, is never clearly explained. From this point on, no matter how hard the director and his actors try to elicit sympathy for Ethan, it is hard for one to connect with him.
The flashback scenes showing Ethan in his full glory are beautifully treated and Roshan is gracefully choreographed in stunning settings. His magic tricks are initially exciting to watch, but you soon realize that the gravity-defying stunts that he performs are beautiful but unrealistic, never attempted by the likes of the great Harry Houdini even. The stunts seem to owe more to the wire-work and CG departments of the film, than any authentic magic research.
But there are some heartening moments in an otherwise style dominated film; like the scene where Ethan reminisces about his mother and says that the biggest magic trick he performed was to put a smile on her face; the scene where Ethan’s former lover (Moni Kangana Dutta) calls him on his radio phone line understanding his need for euthanasia is nicely done. Dutta has this one scene to prove herself as an actress and she does so with all heart.
Another well executed scene is the penultimate courtroom sequence where Ethan locks the unsympathetic government lawyer in a small a box for sixty seconds. As Ethan describes the free environment in the outside world, the lawyer begins to suffocate and pleads to be let out. Ethan releases him and makes his point. ‘Imagine living in a box your entire life, if you could not stay inside for 60 seconds’.
While Hirithik Roshan does well for the most part, he is challenged by an ill-defined character. It is Aishwarya Bachchan as Sophie, Ethans loyal nurse for 14 years, who brings some heart to the slickly made Guzaarish. Aishwarya chips in a restrained performance as the stern nurse whose only purpose in life is to care for Ethan. The actress seems to have matured enough to give this otherwise airy film some solid grounding.
Guzaarish is based upon a great idea (as were the English films ‘The Sea Inside’ & ‘Whose Life is it Anyway’) and has some terrific moments. But sadly for the cast & crew who seemed to have worked hard to make this film, it is also over-the-top, has forgettable music and a weak climax. Watch it for a peak into Sanjay Bhansali’s wonderfully imaginative mind but be prepared not to feel his heart.
Cast: Hirithik Roshan, Aishwarya Bachchan, Shehnaz Patel, Aditya Roy Kapoor
Within a Victorian structure, inside an artistically designed home, behind billowing curtains and surreal lighting schemes sits quadriplegic Ethan (Hirithik Roshan), trying desperately to shoo a fly off his nose. Unable to use his limbs and accepting his fate, he lets the fly sit-- a passing visitor in Ethan’s handicapped life.
Sanjay Bhansali returns to form with the creation of a fascinating world where fact meets fiction. While the dreamlike production design and costumes inspired from modern art are awe inspiring fiction, Bhansali’s research on euthanasia (or mercy killing) seems to be based on fact. Does fact blend seamlessly with fiction? Unfortunately not.
Right from the start Ethan seems to embrace the brighter side of life. He laughs in the face of adversity, always has a mischievous one-liner on his lips, and even hosts a radio show to counsel depressed listeners and share the joys of being alive. If the point of a fulfilled life wasn’t made clearly enough, the background songs remind us literally, that ‘life’s good!’
Yet, in the very next scene, Ethan calls his lawyer to tell her he’s had enough and wants to die. She must fight the legal system and their stand against mercy killing. Just when and why did the man who fought death and went on to write a book about living successfully as a quadriplegic decide to end his life, is never clearly explained. From this point on, no matter how hard the director and his actors try to elicit sympathy for Ethan, it is hard for one to connect with him.
The flashback scenes showing Ethan in his full glory are beautifully treated and Roshan is gracefully choreographed in stunning settings. His magic tricks are initially exciting to watch, but you soon realize that the gravity-defying stunts that he performs are beautiful but unrealistic, never attempted by the likes of the great Harry Houdini even. The stunts seem to owe more to the wire-work and CG departments of the film, than any authentic magic research.
But there are some heartening moments in an otherwise style dominated film; like the scene where Ethan reminisces about his mother and says that the biggest magic trick he performed was to put a smile on her face; the scene where Ethan’s former lover (Moni Kangana Dutta) calls him on his radio phone line understanding his need for euthanasia is nicely done. Dutta has this one scene to prove herself as an actress and she does so with all heart.
Another well executed scene is the penultimate courtroom sequence where Ethan locks the unsympathetic government lawyer in a small a box for sixty seconds. As Ethan describes the free environment in the outside world, the lawyer begins to suffocate and pleads to be let out. Ethan releases him and makes his point. ‘Imagine living in a box your entire life, if you could not stay inside for 60 seconds’.
While Hirithik Roshan does well for the most part, he is challenged by an ill-defined character. It is Aishwarya Bachchan as Sophie, Ethans loyal nurse for 14 years, who brings some heart to the slickly made Guzaarish. Aishwarya chips in a restrained performance as the stern nurse whose only purpose in life is to care for Ethan. The actress seems to have matured enough to give this otherwise airy film some solid grounding.
Guzaarish is based upon a great idea (as were the English films ‘The Sea Inside’ & ‘Whose Life is it Anyway’) and has some terrific moments. But sadly for the cast & crew who seemed to have worked hard to make this film, it is also over-the-top, has forgettable music and a weak climax. Watch it for a peak into Sanjay Bhansali’s wonderfully imaginative mind but be prepared not to feel his heart.
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Tuesday, September 14, 2010
Golmaal 3 Movie Review 2010 Videos Gallery Wallpapers
Golmaal 3 Release Date - 5th Nov 2010
The film is going to be release on November 5 at the time of Diwali.





Directed by Rohit Shetty, the movie stars Mithun Chakraborty, Ajay Devgn, Kareena Kapoor, Arshad Warsi, Tusshar Kapoor, Shreyas Talpade, Kunal Khemu, Ratna Pathak and Johny Lever.
'Golmaal 3' will be released on November 5.
So enjoy friends...
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Sunday, August 15, 2010
Sunday, July 25, 2010
Daabang Movie Review 2010 Videos Gallery Wallpapers
Story: Corrupt cop Chulbul Pandey (Salman Khan) needs to bridge the distance with his step brother, Makkhi (Arbaaz Khan) and stepdad, Vinod Khanna, on the behest of his mother (Dimple Kapadia) even as he needs to set his own house in order by marrying the potter girl (Sonakshi Sinha) who refuses to succumb to his charms. And if that's not enough, there's the local goon, Sonu Sood and the crumbling administration of the small town that is craving his attention too. Can Chulbul Pandey deliver?
Movie Review: For anybody who wants to know what is the on-screen definition of Bollywood (read popular mainstream Hindi cinema), Dabangg is truly text book fare. It's loud, crazy, zany, exaggerated, larger-than-life, almost nonsensical, totally make-believe, comic book like, complete kitsch, generously peppered with the mandatory desi tadka (garnishing) of songs and dances that keep popping out of nowhere and is literally oozing with star charisma. Most importantly, it's not meant to make sense. It's only meant to entertain. And entertain, it does in overdoses. No, this isn't meant for people who are looking for different cinema. Nor is it meant for the viewer who likes movies to appeal to his head. Yet, for those who celebrate and serenade the `silliness' of mainstream masala movie lore and swear by its popcorn quotient, Dabangg is the greatest getaway of the season.
Debutant director Abhinav Kashyap chooses to walk the road that makes a complete U-turn from brother Anurag Kashyap's edgy, hard-hitting, realistic cinema and opts for a signature tune that re-invents the age-old formula in aaj ka idiom. Plot-wise, the film might make you cringe with it's hackneyed tale of two squabbling step brothers who have the arduous task of keeping the great Indian family together. And guess who's making life even more difficult for the parivaar? Who else but the local goon (Sonu Sood) who tries to play one brother (Arbaaz Khan) against the other (Salman Khan).
But all this brouhaha about a non-story is truly irrelevant, because there never was supposed to be a story in Dabangg. The only factor that was supposed to be there was Salman Khan, Salman Khan, Salman Khan...followed by some more Salman Khan. So just sit back and savour the star power of an actor who chooses to enunciate the role of a thoroughbred entertainer. Salman's corrupt cop act as Chulbul Pandey, playing Robin Hood in a semi-rustic environment is so engaging, you are willing to forgive and forget everything else. As soon as you begin to realise the film hasn't moved at all in terms of story, bingo! There comes Salman swinging his bare fists around, ducking bullets, spewing mischievous threats and abuses, making eyes at his girlfriend (Sonakshi Sinha), creating chaos in his dysfunctional family and breezily breaking the rules with his brattish ways. And in case you still tend to get a bit restless, there is the Pelvic! Watch him gyrate in sync with all those uproarious tunes and you'll be down to your last coin, having flung all the loose change you have on chartbusters like Munni Badnam Hui....And finally, if you still want more, there's the shirt-ripping sequence, where our desi hulk gets to showcase his sculpted torso without having to unbutton it. It simply tears on its own! Now didn't we tell you Bollywood films have their own undefinable logic....
Dabangg is designed as a vehicle to showcase the star charisma of Salman Khan and the actor literally hits bull's eye. He has a ball on screen and makes sure you join the party too. Aiding him are two special factors: the excellent action choreography by S Vijayan (watch out for all of Salman's slow motion antics and the Matrix bends and leaps that are sure-fire taali-seeti fare) and the foot-tapping music score by Sajid-Wajid and newcomer Lalit Pandit. The locales of the film too are exotic and re-create the hinterland ambience that is becoming so popular in Hindi cinema today. Set in a small, sleepy, one-horse town in Uttar Pradesh, Dabangg creates an alluring canvas of decay and dissolution, even as it celebrates the ordinariness of the aam aadmi's life.
In terms of performances, the show is definitely anchored by Salman Khan, but debutant Sonakshi Sinha too stands tall. As Salman's silent, shy, yet gritty girlfriend, she has great screen presence and a spontaneous charm. Bad guy, Sonu Sood too ends up as an interesting adversary to our local Robin Hood while Arbaaz Khan articulates the angst of the underdog brother. But hey, in the end, Dabangg is not about theory and analysis; it's only about the Zandu Balm effect of cinema: completely home grown, hybrid, purely desi stress-busting therapy. Period.
A word about:
Performances: It's a Salman show all the way. The actor is completely in command as the larger-than-life entertainer who knows all the rules of the Bollywood hero act. Newcomer Sonakshi Sinha too impresses with her spontaneity and spunk.
Story: Now that's the weak link. Too hackneyed, this tale of sibling rivalry.
Movie Review: For anybody who wants to know what is the on-screen definition of Bollywood (read popular mainstream Hindi cinema), Dabangg is truly text book fare. It's loud, crazy, zany, exaggerated, larger-than-life, almost nonsensical, totally make-believe, comic book like, complete kitsch, generously peppered with the mandatory desi tadka (garnishing) of songs and dances that keep popping out of nowhere and is literally oozing with star charisma. Most importantly, it's not meant to make sense. It's only meant to entertain. And entertain, it does in overdoses. No, this isn't meant for people who are looking for different cinema. Nor is it meant for the viewer who likes movies to appeal to his head. Yet, for those who celebrate and serenade the `silliness' of mainstream masala movie lore and swear by its popcorn quotient, Dabangg is the greatest getaway of the season.
Debutant director Abhinav Kashyap chooses to walk the road that makes a complete U-turn from brother Anurag Kashyap's edgy, hard-hitting, realistic cinema and opts for a signature tune that re-invents the age-old formula in aaj ka idiom. Plot-wise, the film might make you cringe with it's hackneyed tale of two squabbling step brothers who have the arduous task of keeping the great Indian family together. And guess who's making life even more difficult for the parivaar? Who else but the local goon (Sonu Sood) who tries to play one brother (Arbaaz Khan) against the other (Salman Khan).
But all this brouhaha about a non-story is truly irrelevant, because there never was supposed to be a story in Dabangg. The only factor that was supposed to be there was Salman Khan, Salman Khan, Salman Khan...followed by some more Salman Khan. So just sit back and savour the star power of an actor who chooses to enunciate the role of a thoroughbred entertainer. Salman's corrupt cop act as Chulbul Pandey, playing Robin Hood in a semi-rustic environment is so engaging, you are willing to forgive and forget everything else. As soon as you begin to realise the film hasn't moved at all in terms of story, bingo! There comes Salman swinging his bare fists around, ducking bullets, spewing mischievous threats and abuses, making eyes at his girlfriend (Sonakshi Sinha), creating chaos in his dysfunctional family and breezily breaking the rules with his brattish ways. And in case you still tend to get a bit restless, there is the Pelvic! Watch him gyrate in sync with all those uproarious tunes and you'll be down to your last coin, having flung all the loose change you have on chartbusters like Munni Badnam Hui....And finally, if you still want more, there's the shirt-ripping sequence, where our desi hulk gets to showcase his sculpted torso without having to unbutton it. It simply tears on its own! Now didn't we tell you Bollywood films have their own undefinable logic....
Dabangg is designed as a vehicle to showcase the star charisma of Salman Khan and the actor literally hits bull's eye. He has a ball on screen and makes sure you join the party too. Aiding him are two special factors: the excellent action choreography by S Vijayan (watch out for all of Salman's slow motion antics and the Matrix bends and leaps that are sure-fire taali-seeti fare) and the foot-tapping music score by Sajid-Wajid and newcomer Lalit Pandit. The locales of the film too are exotic and re-create the hinterland ambience that is becoming so popular in Hindi cinema today. Set in a small, sleepy, one-horse town in Uttar Pradesh, Dabangg creates an alluring canvas of decay and dissolution, even as it celebrates the ordinariness of the aam aadmi's life.
In terms of performances, the show is definitely anchored by Salman Khan, but debutant Sonakshi Sinha too stands tall. As Salman's silent, shy, yet gritty girlfriend, she has great screen presence and a spontaneous charm. Bad guy, Sonu Sood too ends up as an interesting adversary to our local Robin Hood while Arbaaz Khan articulates the angst of the underdog brother. But hey, in the end, Dabangg is not about theory and analysis; it's only about the Zandu Balm effect of cinema: completely home grown, hybrid, purely desi stress-busting therapy. Period.
A word about:
Performances: It's a Salman show all the way. The actor is completely in command as the larger-than-life entertainer who knows all the rules of the Bollywood hero act. Newcomer Sonakshi Sinha too impresses with her spontaneity and spunk.
Story: Now that's the weak link. Too hackneyed, this tale of sibling rivalry.
Labels:
2010,
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Lafange Parinde Movie Review 2010 Videos Gallery Wallpapers
Lafange Parinde
Yash Raj films revealed the first look of Neil Nitin Mukesh and Deepika Padukone starrer ‘Lafangey Parindey’. The film has been directed by Pradeep Sarkar.
The story is set in the gritty streets of Mumbai. It is believed that the film is about the bike gangs of Mumbai. Neil, who has performed some daring stunts in the film, plays a character with an interesting name - ‘One Shot Nandu’.
Deepika on the other hand will be seen in an action-based avatar - Pinky Palkar, where she will ride bikes and do daredevil stunts. The actress reportedly refused to use a body double.
Yashraj Films’ ‘Lafangey Parindey’ will hit the big screens worldwide on August 20
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Thursday, July 1, 2010
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